"It turned into a moment for me to testify of who Jesus Christ is to me through song," said JRay Kuhn, co-founder of the Rhythm N’ Soul Collective.

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Students gathered at the Wilkinson Student Center and Museum of Art to compete in the BYU Religious Education Student Symposium and Visualizing Learning Art Exhibit on Friday, Feb. 13.

The BYU Rhythm N' Soul Collective (RSC) impressed the audience with their part in BYU's Black History Month concert series on Feb. 13, performing several traditional and modern African songs and dances.

Sportelli’s opened in late October 2025 on University Avenue in Provo.

In downtown Provo, The Compass Gallery teamed up with Books and Bridges to discuss James Baldwin's book "The Fire Next Time."

For many Provo singles, the Valentine's holiday can be met with anything from celebrations of friendship to an indifferent routine.

Elder Clark G. Gilbert was called as the new member of the Quorum of the Twelve for The Church of Jesus Christ of Latter-day Saints.

Three former BYU baseball players are back in big league camps this spring, each competing for roster spots and important roles heading into the 2026 Major League Baseball season.

The BYU baseball team is heading up the California coast to take on UC Riverside after going 1-1 in the Tony Gwynn Classic in San Diego over the weekend.

The BYU baseball offense came alive in the final game of the Tony Gwynn Legacy tournament against UC San Diego on Saturday night in a 9-7 win.

The story of BYU men’s volleyball has long been defined by a standard of excellence, and on Saturday night, head coach Shawn Olmstead etched his name even deeper into that legacy.

One Sunday some time ago, I was browsing through Spotify playlists — gospel and blues from the mid-20th century, mostly. At times I find myself wishing for a little more variety in the religious musical tradition I’ve grown up in. Perhaps it is simply the familiarity of the hymns that have made me take them for granted.

There seemed to be no definite answer. It was more than likely to have happened, but the proof I was looking for was just something I wasn't going to find. I had accepted that. I had come to terms with the idea that this piece was going to be more about my journey than the destination. Then I got the email. “Ha! I just found the answer.”

In front of a smattering of plastic lawn chairs — blue, white and red, most of them — Michael Jullian and Matthew Seabury make themselves comfortable on the Oasis Stage, kicking off their set with the former on guitar and the latter on the electric bass.

I was on a mission to find a story.

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