The BYU Office of Belonging is taking Brigham Young University's sesquicentennial theme, “Sharing Light,” and applying it in its gallery, “A Legacy of Light.”

This Valentine's season, the Title IX Office at BYU is helping students decide: What is a red flag and a green flag in their relationships?

BYU teaches more language courses than any college in the United States

"It turned into a moment for me to testify of who Jesus Christ is to me through song," said JRay Kuhn, co-founder of the Rhythm N’ Soul Collective.

Kyler Ogden only remembers his father being in a wheelchair.

Sportelli’s opened in late October 2025 on University Avenue in Provo.

In downtown Provo, The Compass Gallery teamed up with Books and Bridges to discuss James Baldwin's book "The Fire Next Time."

Provo Mayor Marsha Judkins is working to revive the city’s long-running rooftop concert series this summer, hoping to bring live music back to downtown Provo to rekindle a tradition that once brought thousands of residents together.

In a new era of BYU basketball, it’s worth looking back at the program’s defining moments.

The BYU women's tennis team capped its Friday home doubleheader with a 6–1 win over Colorado State Rams women's tennis at the Indoor Tennis Courts last weekend, taking the doubles point early and continuing to collect results throughout singles play.

Three former BYU baseball players are back in big league camps this spring, each competing for roster spots and important roles heading into the 2026 Major League Baseball season.

The BYU baseball team is heading up the California coast to take on UC Riverside after going 1-1 in the Tony Gwynn Classic in San Diego over the weekend.

One Sunday some time ago, I was browsing through Spotify playlists — gospel and blues from the mid-20th century, mostly. At times I find myself wishing for a little more variety in the religious musical tradition I’ve grown up in. Perhaps it is simply the familiarity of the hymns that have made me take them for granted.

There seemed to be no definite answer. It was more than likely to have happened, but the proof I was looking for was just something I wasn't going to find. I had accepted that. I had come to terms with the idea that this piece was going to be more about my journey than the destination. Then I got the email. “Ha! I just found the answer.”

In front of a smattering of plastic lawn chairs — blue, white and red, most of them — Michael Jullian and Matthew Seabury make themselves comfortable on the Oasis Stage, kicking off their set with the former on guitar and the latter on the electric bass.

I was on a mission to find a story.

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