The Museum of Art is having a cultural feast. Last year it hosted the prestigious Christian paintings of Carl Bloch
Sabiha Al Khemir
“Beauty and Belief
The lecture accompanied a slide show of Islamic art pieces, because Khemir said he wanted to give the audience the feeling of the exhibition, a sense of crossing worlds.
A picture of an ancient Islamic scroll, which says God, the creator of all things has no beginning and no end, began the parade of Islamic beauty showcasing different themes: word, figure, pattern and rhythm. From a chipped beggar's bowl to an exquisite table cloth, nearly every piece was adorned with Arabic script.
When a piece of pure gold jewelry from Turkey appeared on the screen, exclamations of amazement burst from the audience at its intricate design. It was woven with the words, ‘The best people are those who do good for others.’
'You don't have to speak to Arabic, because Arabic is speaking to you now,' said Khemir, finishing up the presentation. She explained how words in Islamic arts come out of the boundary of object and become part of life.
Heather Evans, a BYU senior majoring in studio art, attended the lecture because she thought it was important to get out of a comfort zone and experience things she usually wouldn’t have access to.
“I loved the 'Allah creator of all' symbol that she showed us at the beginning,” Evans said, “I thought that was amazing because there were thick lines and thin lines but you could tell that it was just one pen that made the entire mark and I thought it was really beautiful.”
There were visitors from outside of the states as well, including a Moroccan ambassador. Abdulkareem al-Ghadban, director at the Kuwait Museum of Islamic Art
“What she wants is to make a dialogue between different cultures and different religions,” he said. “She wanted to add another dimension to , which is a feeling of mystery. I think that it makes you want to go on and discover.”
James Melikian, a collector of old religious text from Phoenix, lent seven pieces of Islamic arts to the exhibit, including two Chinese Korans. He said it was his first time meeting her and he was impressed how she talked not only as a scholar but also as an artist.
“ shows that there’s much more to the Islamic world than the fundamentalism they see now rampant in it,” he said. “Islam for many centuries was more advanced than the West in science and culture. So what are seeing now is not a representation of historic Islam and history and it’s probably not a representation of the majority of practicing Muslims. So it opens their eyes that Islam has not always been like it is now and it could change in the future.”